Psalm.24

Four centuries of Christmas carols are represented in this handsome collection that is approaching half a century of use with choirs throughout the world. The entire range of choral expression is offered

It was over 100 years ago that the American Theater opened for business on 42nd Street in the heart of Manhattan. It was to be the first of many theaters in that part of town, the area which became known

Alternating between 3/4 and 6/8 time signatures, Robinson has created a fresh twist on this holiday classic. Several brief character solos offer lots of low-pressure opportunities to stand out, and the

This ethereal transcription provides a new and different setting for the cherished psalm. The very free, almost chantlike rhythms and repetitive harmonies of this a cappella piece, coupled with an original

Wish your audience a Merry Christmas and a Happy New Year in just a half a minute. This madrigal-style a cappella novelty is equally easy to learn and enjoyable to sing. Plus, it's a great choice to close

One of Hahn's more successful French art songs for solo voice, this lyrical piece from 1916 is freshly set in three-part harmony for treble choirs with piano accompaniment. In a neo-Baroque style, the

A la Nanita Nana and Coventry Carol sing one after another in this gentle choral setting. The piano rocks sweetly below the lilting text, creating a unique pairing of the familiar carols.

Partly in Scots Gaelic, partly in English, this Scottish tune is great fun for tenor-bass choirs! The title translates to "A Small Drink at the Door." A cappella, with plentiful unison lines and traditional

Dan Forrest's SATB divisi setting of a poem by the late Jake Adam York is simply stunning! Both the poet and composer were inspired by the old hymn Abide with Me and elements of that

A much-loved hymn reminds us to treasure each moment and to trust God's promise of eternal peace and rest. Warm harmonies, effective key changes, and a contrasting verse in 3/4 contribute to the thoughtful